ROUNDABOUT THEATRE COMPANY At ROUNDABOUT UNDERGROUND Announces The New York Premiere Of BOBBIE CLEARLY

July 12, 2017

 

 

 

 

 

 

at

ROUNDABOUT UNDERGROUND

Announces

 

The New York Premiere Of

BOBBIE CLEARLY

A new play by ALEX LUBISCHER

Directed by WILL DAVIS

 

Previews begin March 8, 2018

Official opening April 3, 2018

Limited engagement through May 20, 2018

Off-Broadway at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre

 

This production continues the expanded two-play 11th season of Roundabout Underground following ten seasons of critically acclaimed productions since its premiere in 2007. All tickets $25.

 

 

Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) is pleased to announce the New York premiere of Bobbie Clearly, by Alex Lubischer, directed by Will Davis. This is the second play in Roundabout Underground’s expanded two-play season, following Too Heavy For Your Pocket by Jiréh Breon Holder this fall.

 

The New York premiere of Bobbie Clearly begins preview performances Off-Broadway on Thursday, March 8, 2018 and opens officially on Tuesday, April 3, 2018 at the Black Box Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street). This is a limited engagement through Sunday, May 20, 2018. All tickets for Roundabout Underground productions are $25.

 

Bobbie killed Casey in the middle of a cornfield in Milton, Nebraska. Two years later, Milton’s residents are ready to tell you their side(s) of the story. This comedy-about-a-tragedy pushes the boundaries of Roundabout’s Black Box Theatre, with a sprawling cast of eccentric characters and an ambitious narrative that pulls back the husk of rural life. Written by Nebraskan Alex Lubischer, who is currently attending the Playwriting Program at Yale School of Drama and the newest playwright discovered by Roundabout Underground.

 

Now in its 11th season, Roundabout Underground has proven an enormous success since the program debuted in 2007 with Stephen Karam’s hit comedy Speech and Debate. Karam’s first play commissioned by Roundabout—Sons of the Prophet—was a Pulitzer Prize finalist and his second commission, The Humans, won the Tony Award for Best Play after transferring from the Laura Pels Theatre to Broadway. Joshua Harmon also made his professional debut with Roundabout Underground with the hit Bad Jews. His play, Significant Other, premiered Off-Broadway at Roundabout and transferred to Broadway last season; his new play, Skintight, will premiere at the Laura Pels Theatre in Spring 2018 starring Idina Menzel. Fellow Underground alumnus Steven Levenson (The Language of Trees) won the Tony Award for Best Book of a Musical for his Broadway debut with Dear Evan Hansen, while simultaneously debuting his new play, If I Forget, Off-Broadway at Roundabout. After the success of Too Much, Too Much, Too Many in 2013, Roundabout commissioned playwright Meghan Kennedy to write Napoli, Brooklyn, which is currently playing at the Laura Pels Theatre. Lindsey Ferrentino, who made her Roundabout debut with Ugly Lies the Bone, will return with Amy and the Orphans at the Laura Pels Theatre in the spring.

 

Bobbie Clearly continues the 11th season of Roundabout Underground, with the goal of introducing and cultivating young artists in Roundabout’s 62-seat Black Box Theatre at the Harold and Miriam Steinberg Center for Theatre. Bobbie Clearly was presented as part of last year’s Underground Reading Series at Roundabout, and is the second production in the Roundabout Underground’s expanded two-play 2017-2018 season. Prior productions include the acclaimed world premieres of Stephen Karam’s Speech & Debate (2007), Steven Levenson’s The Language of Trees (2008), Adam Gwon’s Ordinary Days (2009), Kim Rosenstock’s Tigers Be Still (2010), David West Read’s The Dream of the Burning Boy (2011), Andrew Hinderaker’s Suicide, Incorporated (2011), Joshua Harmon’s Bad Jews (2012), Meghan Kennedy’s Too Much, Too Much, Too Many (2013), Jeff Augustin’s Little Children Dream of God (2015), Lindsey Ferrentino’s Ugly Lies the Bone (2015), Jenny Rachel Weiner’s Kingdom Come (2016), and Martín Zimmerman’s On the Exhale (2017).

                                                             

Roundabout Underground showcases new plays that will either give a debut production to an emerging writer or director, or allow an experienced director to go back to his/her creative roots. Robyn Goodman (Artistic Consultant to the Roundabout) serves as Artistic Producer, with Associate Producers Jill Rafson and Josh Fiedler, for this initiative that continues to be a creative breeding ground for nurturing new talent.

 

The 62-seat Black Box Theatre, below the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre, allows Roundabout to take artistic risks that are better suited for a more intimate space.

 

The cast and design team will be announced soon.

 

Major support for Bobbie Clearly is provided by Jodi Glucksman.

 

Roundabout’s work with new and emerging playwrights and directors, as well as development of new work, is made possible by Katheryn Patterson and Tom Kempner.


TICKET INFORMATION:

Tickets for Bobbie Clearly are first made available to subscribers and donors. Whether you are interested in the best value or VIP experiences, Roundabout has a package option for you. Visit roundabouttheatre.org or call 212-719-1300 for more info. Sign up for Roundabout’s email club at roundabouttheatre.org to be notified when tickets go on sale to the public.

 

PERFORMANCE SCHEDULE:

Bobbie Clearly will play Tuesday through Sunday evenings at 7:00PM with Saturday and Sunday matinees at 1:30PM.

 

BIOGRAPHIES:

ALEX LUBISCHER (Playwright) is a playwright from Nebraska and a first-year candidate in the Playwriting Program at the Yale School of Drama. Prior to pursuing his MFA, Alex spent several years in Chicago, followed by a short time in New York as a member of the Page 73 Writers Group. His plays include PIG.GOV, Bobbie Clearly, Ogalala, Blood Special, The Xylophone West, Acts of Contrition, Weird Kids, and Survey No. 5. He has been a semifinalist for the P73 Playwriting Fellowship, a two-time finalist for the O’Neill National Playwrights Conference, and a resident playwright at the Kimmel Harding Nelson Center for the Arts. In Chicago, his scripts have been produced by Steep Theatre Company, Haven Theatre, The Fine Print Theatre Company, Collaboraction, and Tympanic Theatre Company, among others. He has developed new work at Actors Theatre of Louisville, Victory Gardens Theater, The House Theatre, Route 66 Theatre Company, Interrobang Theatre Project, and the Great Plains Theatre Conference. Alex received his B.A. from the University of Southern California and is a proud alumnus of the National Theater Institute.

 

WILL DAVIS (Director) is a director and choreographer focused on physically adventurous new work and old plays in new ways. He is also the newly appointed artistic director of American Theater Company (ATC). Recent projects include: Evita, re-imagined for the Olney Theatre Center for which he is nominated for a Helen Hayes award, Men on Boats by Jaclyn Backhaus for Clubbed Thumb's Summerworks, Playwrights Horizons and ATC; William Inge's Picnic re-imagined for ATC, DUAT by Daniel Alexander Jones for Soho Rep; Orange Julius by Basil Kreimendahl; Mike Iveson’s Sorry Robot for PS122’s COIL Festival; and two productions of Colossal by Andrew Hinderaker for Mixed Blood Theater and the Olney Theatre Center, for which he won a Helen Hayes award for outstanding direction. Davis has developed, directed and performed his work with New York Theatre Workshop, Clubbed Thumb, the New Museum, the Olney Theatre Center, the Alliance Theatre, the Playwright's Realm, the Fusebox Festival, New Harmony Project, the Orchard Project, the Ground Floor Residency at Berkeley Rep, Performance Studies International at Stanford University, and the Kennedy Center. He is an alum of the Soho Rep Writer/Director Lab, the NYTW 2050 Directing Fellowship and the BAX (Brooklyn Art Exchange) artist in residence program. He holds a BFA in Theatre Studies from DePaul University and an MFA in Directing from UT Austin.

 

The Harold and Miriam Steinberg Center for Theatre opened in March 2004 with an acclaimed premiere of Lynn Nottage’s Intimate Apparel starring Viola Davis, directed by Dan Sullivan. In the ten years since that landmark production, the center has expanded beyond the Laura Pels Theatre to include the Black Box Theatre and now a new education center. The Steinberg Center continues to reflect Roundabout’s commitment to produce new works by established and emerging writers as well as revivals of classic plays. This state-of-the-art off-Broadway theatre and education complex is made possible by a major gift from The Harold and Mimi Steinberg Charitable Trust. The Trust was created in 1986 by Harold Steinberg to promote and advance American Theatre as a vital part of our culture by supporting playwrights, encouraging the development and production of new work, and providing financial assistance to not-for-profit theatre companies across the country. Since its inception, the Trust has awarded over $70 million to more than 125 theatre organizations.

 

Roundabout Underground’s home is a 62-seat Black Box Theatre, which is also used year-round by Roundabout’s education department for its activities including student productions and professional development workshops.

 

Alex Lubischer is Roundabout’s 2017-18 Tow Foundation Playwright in Residence.

 

We gratefully acknowledge the Roundabout Leaders for New Works: Alec Baldwin, James Costa and John Archibald, Linda L. D’Onofrio, Peggy and Mark Ellis, Jodi Glucksman, Sylvia Golden, Hess Foundation, Inc., Judith and Douglas Krupp, K. Myers, Laura Pels International Foundation for Theater, Laura S. Rodgers, Seedlings Foundation, Mary Solomon, Lauren and Danny Stein, Harold and Mimi Steinberg Charitable Trust, Dr. Leonard Tow, and Lori Uddenberg.

 

Roundabout Theatre Company is committed to producing the highest quality theatre with the finest artists, sharing stories that endure, and providing accessibility to all audiences. A not-for-profit company, Roundabout fulfills its mission each season through the production of classic plays and musicals; development and production of new works by established and emerging writers; educational initiatives that enrich the lives of children and adults; and a subscription model and audience outreach programs that cultivate and engage all audiences.

 

Roundabout Theatre Company presents a variety of plays, musicals, and new works on its five stages, each of which is specifically designed to enhance the needs of Roundabout’s mission. Off-Broadway, the Harold and Miriam Steinberg Center for Theatre, which houses the Laura Pels Theatre and Black Box Theatre, with its simple sophisticated design, is perfectly suited to showcasing new plays. The grandeur of its Broadway home on 42nd Street, American Airlines Theatre, sets the ideal stage for the classics. Roundabout’s Studio 54 provides an exciting and intimate Broadway venue for its musical and special event productions. The Stephen Sondheim Theatre offers a state of the art LEED certified Broadway theatre in which to stage major large-scale musical revivals. Together these distinctive homes serve to enhance Roundabout’s work on each of its stages.

 

American Airlines is the official airline of Roundabout Theatre Company. Roundabout productions are supported, in part, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of Governor Cuomo and the New York State Legislature.

 

Roundabout’s season in 2017 includes Marvin’s Room by Scott McPherson, directed by Anne Kauffman; Napoli, Brooklyn by Meghan Kennedy, directed by Gordon Edelstein; Time and the Conways by J. B. Priestley, directed by Rebecca Taichman; and the national tour of Sam Mendes & Rob Marshall’s Tony Award-winning production of Cabaret.

           

Roundabout’s new off-Broadway season dedicated to new work at the Harold & Miriam Steinberg Center for Theatre in 2017-2018 will include The Last Match, by Anna Ziegler, directed by Gaye Taylor Upchurch; Amy and the Orphans, by Lindsey Ferrentino, directed by Scott Ellis; Skintight, by Joshua Harmon, directed by Daniel Aukin.

 

Roundabout Underground’s 2017-2018 season will include Too Heavy for your Pocket by Jiréh Breon Holder, and Bobbie Clearly by Alex Lubischer.

www.roundabouttheatre.org

 

Follow ROUNDABOUT THEATRE COMPANY on Twitter @RTC_NYC, Instagram and on Facebook.

 

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